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               <rdf:li>Kariann Flynn</rdf:li>
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               <rdf:li xml:lang="x-default">19.05.05: Our Histories: A Scaffolded Approach in Teaching Creative Nonfiction to English Learners</rdf:li>
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<Document>
<P>Curriculum Unit                  </P>

<Textbox>
<P>Our Histories: A Scaffolded Approach in Teaching Creative  </P>

<P>Nonfiction to English learners </P>
</Textbox>

<Textbox>
<P>Kariann Flynn </P>
</Textbox>

<P>Title                              Author </P>

<P> </P>

<P>KEY LEARNING, ENDURING UNDERSTANDING, ETC. </P>

<Textbox>
<P>The unit aims to strengthen students’ self-concept as authors, enhance students’ academic writing skills, and provide an outlet for creative, personal expression.  Students will explore, notice, and vigorously practice producing a variety of nonfiction texts that range from the traditional “how-to” document to obituaries to the personal essay.  Students will develop conceptual understandings of the writing process as they organize, sequence, and narrate nonfiction events in a tone and style that is unique to their own authorial voice. </P>
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<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P>ESSENTIAL QUESTION(S) for the UNIT </P>

<Textbox>
<P>How do authors use the writing process to produce texts? </P>

<P>How does the narration and sequence of events affect the theme of a nonfiction text? </P>

<P>How do authors use description as a tool to create tone in nonfiction texts? </P>

<P> </P>

<P>  </P>

<P>   </P>

<P>  </P>
</Textbox>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P>              CONCEPT A         CONCEPT B                     CONCEPT C </P>

<Textbox>
<P>Description and Tone </P>
</Textbox>

<Textbox>
<P>The Writing Process </P>
</Textbox>

<Textbox>
<P>Narration and Sequence </P>
</Textbox>

<P> </P>

<P>      </P>

<P>    ESSENTIAL QUESTIONS A               ESSENTIAL QUESTIONS B    ESSENTIAL QUESTIONS C </P>

<P> </P>

<Textbox>
<P>How do authors use the writing process to produce texts? </P>

<P> </P>
</Textbox>

<Textbox>
<P>How does the narration and sequence of events affect the theme of a nonfiction text? </P>

<P>  </P>
</Textbox>

<Textbox>
<P>How do authors use description as a tool to create tone in nonfiction texts? </P>
</Textbox>

<P> </P>

<P>           </P>

<P> </P>

<P> </P>

<P> </P>

<P>            VOCABULARY A                 VOCABULARY B                        VOCABULARY C  </P>

<Textbox>
<P>Tone </P>

<P>Mood </P>

<P>Imagery </P>

<P>Sensory language </P>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P> </P>
</Textbox>

<Textbox>
<P>Narration </P>

<P>Theme </P>

<P>Point of view </P>

<P>Author Purpose </P>
</Textbox>

<Textbox>
<P>Prewriting </P>

<P>Drafting </P>

<P>Revising </P>

<P>Editing </P>
</Textbox>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P> </P>

<P>ADDITIONAL INFORMATION/MATERIAL/TEXT/FILM/RESOURCES </P>

<P> </P>

<Textbox>
<P>The Writing Process:  Kelley Gallagher, Write Like This; Teaching Real-World Writing through Modeling and Mentor Texts. Stenhouse Publishers, (2011) </P>

<P>Jack C. Richards and Willy A. Renandya, Methodology in Language Teaching: An Anthology of Current Practice (New York, N.Y.: Cambridge University Press, (2001) </P>

<P> </P>

<P>Narration and Sequence:  Christina Pavlak, &quot;“It is Hard Fun”: Scaffolded Biography Writing with English Learners,&quot; The Reading Teacher 66, no. 5 (2013) </P>

<P> </P>

<P>Description and Tone: Kelley Gallagher, Write Like This; Teaching Real-World Writing through Modeling and Mentor Texts. Stenhouse Publishers, (2011)  </P>

<P>John O'Connor, This Time It's Personal:  Teaching Academic Writing through Creative Nonfiction. National Council of Teachers of English, (2011) </P>

<P>Informative Essays at CommonLit.org  </P>

<P> </P>
</Textbox>

<P> </P>

<P> </P>

<P> </P>

<P> </P>
</Document>
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