VOLUME 18 #2

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DEPARTMENTS

Museum professional brings history to life

Tony Shahan
Photo by Ambre Alexander
Tony Shahan stands next to a paper press from a nearby mill that made paper for Benjamin Franklin.

ALUMNI | As the 16-foot-high wooden wheel turns inside its musty stone building, powered by a rush of water from Chester Creek, the corn that was scooped into the hopper above it moves past the grinding stone and starts to pour down a chute as finely milled cornmeal.

It would be easy for onlookers to feel as if they’ve traveled back to the beginning of the 18th century and the early days of the Newlin Grist Mill near Glen Mills, Pa.

Programs benefit nation's cultural institutions

Alumni of UD work at museums and cultural institutions across the United States—and, in fact, worldwide—in a variety of key positions from curators to administrators to archivists and conservators.

“The University has long-standing programs that are widely recognized as among the best,” says Katherine C. (Kasey) Grier, professor of history and director of the Museum Studies Program. “And through our alumni, Delaware has a major impact on cultural institutions throughout America.” Related programs at the University, in addition to Museum Studies, include the Winterthur Program in American Material Culture, undergraduate and graduate programs in the Department of Art History, the Hagley Graduate Program in the history of industrialization and technology and the Winterthur/UD Program in Art Conservation.

Over the years, more than 200 Hagley fellows have received advanced degrees from UD. Examples include Jim Edmonson, AS ’76M, ’81PhD, chief curator at the Dittrick Medical History Center in Cleveland; Karl Niederer, AS ’79M, director of the New Jersey State Archives; John Rumm, AS ’80M, ’89PhD, director of exhibits at the National Constitution Center; and William H. Thiesen, AS ’01PhD, Atlantic Area historian for the U.S. Coast Guard.

The Museum Studies program has awarded 181 certificates in the past 10 years to graduate students in a variety of academic fields. Alumni include Pam Allenstein, AG ’90M, manager of the North American Plant Collections Consortium of the American Public Gardens Association; Lindsey Baker, EH ’05, executive director of the Laurel (Md.) Historical Society; Hallie Bond, AS ’83M, curator at the Adirondack Museum; and Rob Lukens, AS ’99, director of exhibits and education at the U.S. Capitol Visitors Center.

Graduates of the Winterthur Program in American Material Culture also work at prestigious museums across the country. A few of those alumni are Bobbye Tigerman, AS ’05M, assistant curator for decorative arts and design at the Los Angeles County Museum of Art; Carol Bochert Cadou, AS ’96M, the Robert H. Smith Senior Curator and associate director for collections at Mount Vernon; Nicholas Bell, AS ’08M, curator at the Renwick Gallery of the Smithsonian American Art Museum; and Morrison Heckscher, AS ’64M, the Lawrence A. Fleischman Chairman of the American Wing at the Metropolitan Museum of Art.

Alumni with graduate degrees in art history include Franklin Wood Kelly, AS ’85PhD, deputy director and chief curator at the National Gallery of Art; Beth Ann Venn, AS ’98M, curator of modern and contemporary art and senior curator of American art at the Newark (N.J.) Museum; Rachel Schwartz Sirota, AS ’08M, manager of public programs at the Guggenheim Museum in New York; and Thayer Tolles, AS ’90M, curator of American paintings and sculpture at the Metropolitan Museum of Art.

The Department of Art Conservation offers undergraduate and graduate degrees in preservation studies and operates the Winterthur/UD Program in Art Conservation, whose graduates include Suzanne Thomassen-Krauss, AS ’82M, senior textile conservator at the Smithsonian’s National Museum of American History; Beth Szuhay, AS ’01M, associate conservator for textiles at the Fine Arts Museums of San Francisco; Valeria Orlandini-Dedecek, AS ’02M, conservator at the Library of Congress; and Angela Chang, AS ’00M, associate conservator of objects and sculpture at the Straus Center for Conservation, Harvard University Art Museums.

And that’s exactly what Tony Shahan has in mind as director of the 160-acre site that includes the old mill, built in 1704 and in commercial operation until 1941, and numerous other historical structures, in addition to miles of wooded trails.

“This is very much a living museum,” says Shahan, who earned his master’s degree in history and a certificate in museum studies from UD, both in 1994. He completed his undergraduate degree at the University of the Ozarks, where he gained hands-on experience in museum work and became interested in making that field his career.

“I wanted to do history, but I didn’t want to teach in a classroom,” he says. He decided on UD for graduate school after learning about its top national reputation in various aspects of professional training for careers in museums and other cultural institutions. (See article on next page.)

Shahan graduated from UD and began his career at the Greenbank Mill near Wilmington, Del., leaving in 2008 for the Newlin Grist Mill, which this year is marking its 50th anniversary as a historic site. The water-powered mill, built in 1704 by Nathaniel Newlin, is the only operating 18th-century gristmill in Pennsylvania and is on the National Register of Historic Places.

Today, the site focuses on its educational mission, as groups tour the buildings, hike the nature trails and take part in numerous demonstration activities that Shahan and his staff offer. He says the projects are designed around themes, such as the way food reflects society. Visitors might witness bread being prepared from an old recipe and then baked in Newlin’s outdoor brick oven, for example, as well as other types of authentic period cooking.

“We use food, since this was a mill for grain, as a way to connect to the public and also teach ourselves about the past,” Shahan says. “We’re doing experimental archaeology here—taking things like machinery, recipes and implements and trying to re-create the way they were used.”

In addition to the large stone building housing the water wheel and grain-milling operation, the property features a blacksmith shop, a former granary building that now is a research archive, and a house that was built by Newlin as a perk to attract a master miller to work in the business.

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Interns from UD and elsewhere assist at the site, and the staff always has plenty of ideas to keep them busy, Shahan says. “We want to build a volunteer corps and eventually bring livestock back to the grounds,” he says. “We want to make the place come alive again.”

Operating a site like this is a great example of the kind of “museum work” that doesn’t take place in what people may think of as a typical museum, says Shahan, who also consults with professionals at other historic mills around the U.S. and recently was named a regional representative for the Association for Living History, Farm and Agricultural Museums. Programs at Newlin draw on science, literature, horticulture and many other fields in addition to history, he says, and every day brings something new.

For more about the site, including information about special anniversary activities planned for the first Saturday in October, visit www.newlingristmill.org.

Article by Ann Manser, AS '73

 

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