Spanish
Film Series Spring 2002
EL NUEVO CINE ESPAÑOL
Movies
to be shown on Thursday at 7:00 throughout the semester
in Smith 210
Feb.
21. La Comunidad
(The Community) (Spain, 2000)
Carmen Maura gives one of her best performances in this most
recent hit of Alex de la Iglesia, one of
Spanish cinema’s truest “bad boys.” (Acción
Mutante, El Día de la Bestia, Muertos de Risa).Maura
plays Julia, a real estate agent who, in the course of her work, discovers
300 million pesetas stashed under the tiles of a dead man’s apartment.
And that’s not all: there’s also a winning lottery ticket that’s never
been redeemed. It’s like a dream come true, until Julia discovers that
the neighbors of the deceased also seem to have some interest in taking
over this hidden fortune. Shot in a florid, grand style, with terrific
ensemble performances, La comunidad is
de la Iglesia’s version of a thriller for
our times.
Feb. 28.
Justino: Un Asesino de la Tercera
Edad (Spain,
1995)
In the
center of a great bullring, Justino, a bullfighter
who deals the coup de grace, receives a standing ovation.It
is the afternoon of his retirement; his sixty-two years have forced him
to welcome his long-awaited retirement.But
his moment of glory is short-lived.Pretty
soon he is going to discover a beneficial way to occupy his leisure time
without forgetting his former profession.His
friendship with Sansoncito,acushionmaker,
weaves itself into a strange criminal life.His
acts of violence help him to reintegrate into society, instead of marginalizing
him.Even though money isn’t his motive,
he finds an easy way to obtain it. (Some very
graphic scenes.)
March 7.
Solas (
Spain,
1997)
With
the intention of signing her father into a hospital, María
(Ana Fernandez) becomes obliged to share her apartment with her mother
(MaríaGaliana),
whom she hasn’t seen for years.María
lives poorly in a rough neighborhood of Seville,
working for a cleaning service, and she is pregnant by a truck-driver who
doesn’t want any kind of commitment.This
mother-daughter relationship will bring to life lost feelings and familiar
ghosts.
March 14.
Lista de Espera(
Cuba,
2000)
In a
bus terminal in the center of Cuba
a group of passengers waits, without finding a way to get on any bus.All
the buses that pass by the station are full. Their only chance is to repair
an old vehicle belonging to the terminal.Nevertheless,
they ruin it permanently.The administrator
of the facility sees no solution and proposes to close the terminal.Still,
a group of passengers decides to stay to fix the bus. Between them a strange
and tender story is woven.
March 21. El
Sur (Spain, 1983)
In “The
Seagull” , a house with an weeathervane,
in the outskirts of a northern Spanish city, live Agustín,
doctor and clairvoyant; Julia, his wife, a schoolteacher paid-back after
the civil war; and Estrella, their child.One
day, Estrella discovers something that makes
her suspect that there was another woman in her father’s life. From this
point forth, life in “The Seagull” changes drastically.
March 28.
Abre Los Ojos (
Spain,
1998)
In this
steam, intriguingly complex, psychological thriller, the line between reality
and fantasy is hopelessly blurred.César
tries to make sense of his life after a car crash leaves his once-handsome
face grotesquely disfigured.After
he is placed into a psychiatric penitentiary for a murder he doesn’t remember
committing, César’s only hope is
to delve into the depths of his subconscious mind where the answer to ending
his living nightmare lies in his dreams.
If
this sounds like Vanilla Sky, it’s no coincidence.
April 11.
Calle 54 (Spain 2000)
A musical
documentary about Latin Jazz in the tradition of The Buena Vista Social
Club, with appearances by GatoBarbieri,Chano
Dominguez, and Tito Puente, among others.Chosen
among the ten best films of the year by the New York Times, The Wall Street
Journal, and Newsday. When the film was shown in the Toronto Film
Festival, Elvis Mitchell wrote in the New York Times: “It’s so good that
they could have shown it everyday of the festival”.
April 18. (Los Amantes
del Círculo Polar) (
Spain,
1998)
A
story of a passionate but secret love, told by both of its protagonists,
Ana and Otto, from eight years of age until twenty-five.Everything
begins in 1980, when upon being dismissedfrom
school, both children run off for different reasons.From
this afternoon, in which the world escapes them both, the lives of Ana
and Otto will cross paths in a circle that will begin to close seventeen
years later in Finland,
in the Arctic
Circle
itself.